Pad with 250 gsm Fabriano Unica paper. Perfect for printmaking and art techniques. Soft and elastic, compatible with graphite, pastel, charcoal and sanguine. White. 50% cotton and acid free. Ideal for long-lasting, high quality works.
Made from the purest cotton fibres. Free from acids. Extremely resistant to ageing. Matt/soft white colour. Size: 78 x 106 cm.
100% cotton. Acid-free. Two textured surfaces (smooth and light grain). Specialised paper for drawing, digital printing and traditional art printing techniques: Lithography, offset printing, gravure printing, typography, etc.
Excellent screen printing paper. 100% cotton. Produced on a cylinder mould machine. Without acids and optical brighteners. Deckled edges on 4 sides. Very smooth, satiny surface. Unglued, absorbs colour easily and thus prevents smudging.
Blotting paper made from 100% alpha-cellulose, acid-free and age-resistant. Excellent absorption quality.
Arches Velin Cover White 100% cotton paper, produced on a cylinder mould machine, free from acid and optical brighteners. PH-neutral, deckled edges on four sides and watermark. For all artistic processing techniques. Cold pressed and natural white.
100% cotton, made on a cylinder mould machine. Acid-free and free from optical brighteners. Alkaline reserve, deckled edges on all four sides and watermark.
Made from the purest alpha cellulose fibres. Acid-free. Extremely resistant to ageing.
100% cotton, made on a cylinder mould machine. Acid-free and free from optical brighteners. Alkaline reserve, deckled edges on all four sides and watermark.
Paper made from 100% cotton, produced on a cylinder mould machine. Free from acids and optical brighteners. Alkaline reserve, deckled edges on four sides and watermark. For all artistic processing techniques.
Manila paper for protection, printing, handicrafts, wrapping, patterns, separating, etc. Very light paper, similar to tissue paper but opaquer. Ecru or white colour. Made from paper pulp. Biodegradable and recyclable.
A very thin, semi-transparent, colourful paper. For collaging, crumpling, light filtering, pattern making, wrapping, etc.
White, soft and elastic Fabriano Unica printmaking paper. Perfect for all fine art printing techniques. Compatible with graphite, pastel, charcoal and sanguine. Made of 50% cotton and acid-free.
Super Alpha Vellum paper made from 50% cotton with a slightly yellowish colour. Produced on a cylinder mould machine.
Paper produced on a cylinder mould machine. It is often used for special editions and is suitable for all types of printing techniques and for drawing. Acid free. 100% cotton.
Made on a cylinder mould machine. 60% cotton. Acid and chlorine free. Excellent base for art and printmaking as well as for dry techniques. Colour white or ivory.
Somerset Textured printmaking paper, produced on a cylinder mould machine. Natural wool texture with deckled edges on 4 sides. 100% cotton, acid-free and treated with calcium carbonate. High resistance to ageing and fading.
Somerset Satin printmaking paper, produced on a cylinder mould machine with a natural wool texture and deckled edges on 4 sides. 100% cotton, acid-free and treated with calcium carbonate. High resistance to ageing and fading.
240 g Popset type paper for printmaking tests. Smooth core-dyed papers with excellent body and stiffness. Free of elemental chlorine. Moisture resistant.
Somerset Book printmaking paper. Produced on a cylinder mould machine. Natural wool texture with deckled edges on 4 sides. 100% cotton, acid-free and treated with calcium carbonate. High resistance to ageing and fading.
Lightly grained blotting paper with high absorbency. Acid-free.
High-quality printing paper made from 100% cotton. Produced on a cylinder mould machine. Deckled edges on 4 sides, natural texture, woollen feel, acid-free and treated with calcium carbonate. High resistance to ageing and fading.
