Color Gesso contains iron oxide and titanium dioxide white for priming with a coloured background. The opacity is exceptional. Can be mixed with each other, with white gesso, mediums and with acrylic colours.
Acrylic Gesso is a particularly high-quality primer made of acrylic resin and titanium dioxide for preparing canvases and other surfaces such as wood, ceramics, plaster, metals and cement for all types of colours, including oil paints.
Acrylic Gesso is a particularly high-quality primer made of acrylic resin and titanium dioxide for preparing canvases and other surfaces such as wood, ceramics, plaster, metals and cement for all types of colours, including oil paints.
Clear Gesso is quick-drying, durable, flexible and waterproof after drying. It does not yellow and can be painted over with all types of colours, including oils and pastels.
Primer made with titanium dioxide and acrylic resin with the same properties as the Studio range. Dries matt and forms an opaque film with excellent flexibility and adhesion. Does not yellow.
Universal primer for the preparation of various supports. Can be coloured with acrylics. Good adhesion for oil, acrylic and gouache.
Titan Goya Estudio Gesso is an acrylic preparation for the treatment of surfaces to be painted such as canvas, plaster, wood, etc. White colour and matt finish. Fast drying and non-yellowing. Can be easily diluted with water.
Very thick and highly pigmented primer with excellent coverage and opacity. High lightfastness class. Made with a high-quality acrylic emulsion for optimum flexibility and durability.
Transparent acrylic primer. Allows the pattern of the substrate to shine through. The same surface protection as white gesso. Emphasises the grain of wood panels or the textures of canvases and other surfaces.
Primer made from the best acrylic resins. It is fast drying, opaque and provides excellent adhesion and balanced absorption after drying. It does not yellow after drying and is suitable for flexible colour primers.
Primer of the highest quality. This gesso consists of a transparent resin without pigmentation that offers excellent hold and becomes transparent when it dries. It therefore does not change the original appearance of the background.
Gamblin PVA Size Polyvinyl acetate binder, pH-neutral, diluted in distilled water. Alternative to rabbit glue as a primer for fabrics. Coats the fabric but does not absorb moisture. Does not give off harmful vapours and does not yellow.
Europanol 22 Paniker. Soft latex adhesive that does not alter the characteristics of the support, making it especially suitable for bookbinding and printmaking. Made from homopolymers and polyvinyl acetate (PVAc) in a water-based formula.
Daniel Smith Gold iridescent acrylic primer for designing backgrounds with mica and iron oxide particles. Acid-free. Easy to clean. Recommended as a primer for acrylic, oil and alkyd colours.
Extra fine, white primer with smooth finish for acrylic paints. Fast drying.
Acrylic primer with a cold white tone. Smooth and covering finish. Based on sodium polysulphide-aluminium silicate and titanium dioxide. Highly resistant to light.
White acrylic primer with a smooth finish based on titanium dioxide with good covering power and lightfast.
Extra fine white primer, consisting of an acrylic resin in aqueous emulsion and titanium dioxide. Perfect as a primer. Fast drying and adhesion on all surfaces.
Black water-based acrylic primer. Very covering, adherent and fast drying. Ideal for oil painting and compatible with other types of paints and techniques.
Black acrylic primer with smooth finish. Lightfast with good hiding power. Carbon Black based.
Semi-covering primer made from 100% acrylic. Very flexible. Can be applied in thin layers. Ready to use. Semi-absorbent. Can be sanded when wet.
Solution in mineral essence of alkyd resin with titanium dioxide. A greasy, white, opaque, ready-to-use primer. To be used as a primer for oil paints, alkyd paints, etc.
Low-absorbent primer based on alkyd resins for undercoating oil paintings. Ideal for oil paints, but can also be used for other painting techniques. No thinning is necessary.
A quick-drying, water-dilutable white primer with high filling capacity and good coverage that can be applied to all metal surfaces to protect them from rust.
Versatile latex concentrate. Used to give colours more volume by increasing their consistency, to transfer images onto paper, as a filler, putty and paper glue and to create collages.
First coat for all techniques and all substrates. Ready to use.
The classic white primer for absorbent surfaces such as canvas, paper or wood. Provides surface adhesion, roughness and absorbency suitable for acrylic and oil paints. One coat is usually sufficient.
Highly transparent primer that keeps the work surface visible. It provides the ideal degree of roughness for pastels, oil pastels, graphite and charcoal, as well as an excellent base for acrylic and oil colours.
Liquitex Basics Gesso is a primer for preparing surfaces for acrylic and oil paints. It is non-yellowing, dense and flexible. One coat is usually sufficient.
Liquitex Acrylic Gesso in neutral grey for priming. It creates a grey base layer that enhances contrast and tonal range while retaining the traditional characteristics and properties of traditional gesso.
It forms a coloured base and at the same time offers all the properties of the traditional acrylic primer.
An innovative titanium white primer for impasto with the ability to obtain sculptural shapes. It has all the properties of traditional acrylic primers. It is ideal for thick, sculptural applications with a painting knife or brush.
Michael Harding non-absorbent acrylic primer. Excellent flexible and permanent primer for acrylic and oil paints. Preserves the gloss, body and vibrancy of the paints. Durable and effective. For use on linen, wood, MDF and other substrates.
Montana rust protection primer in spray format, based on solvent-based acrylic resins and corrosion-inhibiting pigments. Good adhesion, high coverage and very high weather resistance. Easy to apply and recoat.
Montana PRO spray primer for the first coat or priming on a surface or as a finishing coat if a matt white result is desired. Very fast drying and with high hiding power. Does not yellow. Can be painted over.
Montana PRO anchoring primer for plastics in spray format with special additives that ensure good adhesion to polypropylene and some other plastics. Easy application and recoating. Good elasticity.
Montana PRO spray primer for the first coat or undercoat on a porous surface such as canvas, fabric or cardboard. It dries very quickly and is very flexible. Does not yellow. Perfect for art, craft and DIY.
Lightfast primer, available in 8 colours. Can be applied to canvas, paper, wood, stone and other surfaces. Suitable as a primer for acrylic, watercolour, oil and tempera.
White primer with additional opacity. Perfect adhesion to any surface. It is recommended to apply to clean and grease-free surfaces. Matt finish. Fast drying.
Highly adhesive white primer for preparing the surfaces to be painted. Apply to clean and grease-free surfaces. Matt finish. Fast drying.
Black primer for preparing the surfaces to be painted. Good adhesion in one coat on clean, grease-free surfaces. Matt finish. Fast drying.
Highly opaque, one-coat primer. Is applied to a clean, non-greasy surface. Dries quickly. Leaves a slightly matt surface that makes it easier for oil or acrylic paint to adhere. Available in white and black.
Vinyl plastic latex with glossy finish for sealing plaster, cement, stucco, wood or ceramic surfaces and crafts such as paintings or puzzles. Can be used to enrich paints as it improves fixation and resistance to washing.
