Gilding

Gold leaf imitation.

Imitation silver leaf

Genuine 22 carat gold leaf in the form of very thin 8 x 8 cm sheets. For decoration, restoration and gilding techniques on various art objects such as sculptures, icons, altarpieces, ships, etc. 25 sheets per book.

Genuine silver leaf

Lefranc Bourgeois gilding liquid. Range with golden and metallic tones. Suitable for the restoration, decoration and design of works, etc. Can be applied with a brush to paper, wood, clay, glass, plaster, metal, canvas, ceramics, etc.

Lefranc Bourgeois cleaner and thinner for liquid gilding paint and wax. Reduces the viscosity of the gilding. Maximum applicable quantity as thinner 20%. Can also be used as a cleaner for gilding tools.

Imitation copper leaf

Gold leaf cutting cushion. Very lightweight and can be held comfortably in hand thanks to its rear grip. Made of leather with a wooden base to prevent the blade from breaking.

Primer varnish for gilding from Lefranc Bourgeois for sealing the substrate and increasing the lustre of artistic and decorative work carried out with gilding paint or liquid. 75 ml bottle.

Genuine, fine, 23.75 carat gold leaf. Orange coloured. 8 x 8 cm sheet and 14 g bound in booklets of 25 sheets. Suitable for restoration, decoration and all types of gilding techniques.

Wide gilding brush made from pony hair. Ideal for gilding with gold, silver or aluminium foil on wood, plaster, iron, etc.

Lefranc Bourgeois Gilding Wax with golden, iridescent and metallic tones. Ideal for the restoration, decoration and design of works. It can be applied to wood, plaster, metal, etc. with a brush or cloth.

Adhesive mixture for fixing gold leaf. Mixture of linseed oil, turpentine, white spirit and siccatives. Easy to apply and compatible with many surfaces.

3D clay for creating films, lines, golden flakes and mirror effects in decoration, arts and crafts and handicrafts. It can be used directly from the nozzle or with a spatula. Ready for use on various surfaces.

Preservative paints based on a synthetic aldehyde resin with low molecular weight (Laparol A-81), special mineral spirits and lightfast pigments, without additives. High ageing and photochemical stability.

Rust protection varnish for non-ferrous metals. For the protection of copper, brass, aluminium, nickel, chrome and silver. Adheres well to metals and leaves a homogeneous, glossy film.

Transparent base varnish or gilding. Widely used in arts and crafts. Particularly suitable for applying gold leaf.

Transparent base varnish or gilding. Widely used in arts and crafts. Particularly suitable for applying gold leaf.

Oil paint of the highest quality due to its high resistance and durability, purity of colour, exceptional brilliance, great luminosity, depth and lightfastness as well as even drying. Reference colour at the highest level.

Perfectly imitates gold in the selected colour tone. It can be applied to any surface and any material. High quality for use in restoration. Does not oxidise over time. Easy to apply.

A range of 8 metallic colours for art, restoration and craft. The formulation offers an exceptional golden colour and absolute lightfastness. Contains alcohol-based metallic pigments and provides a real, long-lasting lustre.

Perfectly imitates gold in the selected colour tone. It can be applied to any surface and any material. High quality, ideal for restoration. It does not oxidise over time and bitumen of Judea can be applied directly to it.

Cellulose lacquer for metal protection. For copper, brass, nickel, chrome and metals in general. Indispensable for protecting gold plating and glitter varnishes to prevent them from blackening over time.

Glossy alcohol-based varnish for all types of gilding techniques.

Metallic paste that does not oxidise and is abrasion-resistant. Can be thinned with turpentine and petroleum spirit. Suitable for the restoration of antiques, framing, gilding, stencilling, etc.

Escoda round brush made of polecat hair, ideal for gilding techniques.

Gilding Mixtion based on acrylic and vinyl resins for interior work. After applying the gilding mixture, wait at least 20 minutes before attaching your gold leaf. The mixture will remain receptive for up to 24 hours after application.

It consists of very fine clay and must be mixed with two parts of rabbit glue and applied in at least three very thin layers.

Lead-free mixtion, suitable for large scale restoration work.

Wide gilding brush made with Petit Gris squirrel hair.