Water-soluble, non-toxic printing inks. It has a high pigment concentration, which is identical to that of classic inks and enables the reproduction of all printing techniques: Direct carving, indirect carving and relief techniques.
Solid ball ground based on Judea bitumen, rosin and wax. Opaque and matt finish for extremely clear prints. Ideal for fine details and deep engraved lines. Can be applied hot with a leather brush or brayer.
Greasy Charbonnel oil for gravure printing, whose main function is to increase the fluidity of the colours.
Light oil for gravure printing whose main function is to increase the fluidity of the colours.
It consists of very fine clay and must be mixed with two parts of rabbit glue and applied in at least three very thin layers.
Charbonnel High Grade Lithographic Ink is a medium-black ink that can be diluted with hot water or other solvents and is applied to draw the image on the stone.
Black satin etching ground with a liquid consistency and a satin matt appearance. Made from bitumen of Judea, turpentine, white spirit, wax. Harder and dries faster than Ultraflex. Allows finer strokes.
Liquid black covering varnish with a satin finish. Made from bitumen of Judea, turpentine, white spirit and wax. Dries faster and is harder than Ultraflex varnish. For finer and more precise strokes.
Slow drying, flexible etching ground. Black colour. Opaque satin finish. Useful for reworking a plate that has not been sufficiently etched by acid, protecting the surface and giving the etched lines greater depth.
Charbonnel liquid siccative retouching varnish composed of beeswax, bitumen and acetone solvent. Satin matt finish. Fast drying. Does not remove previous varnish. To be applied with a brush on a cold plate.
Charbonnel liquid transparent retouching varnish. Apply cold with a brush. Slow drying. Allows you to see the underlying drawing.
Lithographic chalk of various hardness grades.
Ink for drawing and stamping on limestone. Medium black ink. Perfect for brush application.
Lithographic ink for the preparation of the stone. After the drawing, elaboration and processing of the image, the Noir a Monter ink is used to fix the image on the stone for subsequent printing.
Charbonnel stick ink for lithography. Ideal for use in silk-screen printing or lithography. Perfect for creating dark, solid lines to block out areas. Can be mixed with water, turpentine, or a petroleum-based solvent.
Ultraflex liquid etching ground. Great alternative to solid etching materials. Hardens on drying, is transparent and maintains a satin finish. Can be applied several times, with a soft brush or directly on the plate.
