Canson Brut drawing folder. Ideal for transporting illustrations, photos, drawings, sketches, etc. Customisable grey cover without lamination, with canvas gusset. Closure with 2 elastic bands and corner protectors.
Canson Imagine Mixed Media mixed media pad for pencil, charcoal, chalk, graphite, tempera, gouache, watercolour and ink. 200 gsm 100% acid-free alpha-cellulose paper. Glued on short side. Hot pressed, natural white.
Pad with Acrylic paper. Fine grain. 400 gsm. Ideal for working with the acrylic technique. Thick and resistant paper, with a texture that imitates the weft of linen and that offers a better adherence for this type of painting. Glued on 1 side.
Canson acrylic paper, heavy 400 gsm, very absorbent and resistant. Ideal for acrylic and other wet techniques as well as for glazes, washes and wash effects and multiple layers. Natural white, without optical brighteners.
Canson Acrylic paper roll. Cold pressed. 400 gsm. Perfect for acrylic paint. Thick, durable paper roll with a texture that simulates the weave of linen and offers better adhesion for this thicker type of paint.
Canson Aquarelle watercolour pad, glued on 4 sides or spiral bound. 300 gsm and 60% cotton. Cold pressed or rough grain. For watercolour and wet techniques. Acid-free.
Canson Aquarelle, 300 gsm paper with 60% cotton. Natural white. Cold pressed or rough grain. For watercolour and wet techniques. Acid-free.
Pastel paper with a special micro-abrasive surface that offers extreme grip in any dry technique.
Very white, acid-free paper that does not yellow over time. Natural and stable white, treated against mould and cryptogams. Alkaline reserve that neutralises acid migration. For archiving, bookbinding and framing.
Canson Bristol paper pad 250 gsm, 20 sheets, 100% alpha cellulose. For all techniques that require a smooth surface. Resistant to erasers and scratches. Lignin-free and therefore no yellowing over time. Glued on one side.
Canson C a Grain drawing paper is a white, cold pressed paper. Ideal for pencil, charcoal, sketches and studies. Partly suitable for wet techniques such as washes and watercolour. Made from lignin-free alpha cellulose.
Canson C a Grain drawing paper is a white paper made from 100% lignin-free cellulose. Cold pressed. Ideal for pencil, charcoal, sketches and studies.
Paper pads made from 100% alpha cellulose. Medium grain. Suitable for all dry techniques and for some wet techniques such as ink and gouache. Spiral binding.
Glued pads of Canson C à grain paper, ideal for drawing. Fine grain for relief effects and a delicate, balanced result. Natural white, mixed media, 100% alpha-cellulose, acid-free and available in various grammages.
Canson C à grain paper 250 gsm, in sheets. Fine grain. In ochre and grey tones. Free from acids and optical brighteners. 100% alpha cellulose. For drawing and dry techniques.
Canson C à grain 250 gsm paper pad in ochre and grey tones. It is suitable for dry and some wet techniques such as inking and gouache. Cold pressed. Acid-free.
Canson Colorline paper 220 gsm. Ideal for drawing techniques. Double-sided paper: one side fine and smooth, ideal for markers and felt-tip pens, the other side grained for pencils, charcoal and pastels. Assorted colours.
Double-sided drawing and pastel paper. 220 gsm. A fine, smooth side is ideal for markers and felt-tip pens, while the grained side is ideal for pencils, charcoal and pastels.
100% cotton. Acid-free. Two textured surfaces (smooth and light grain). Specialised paper for drawing, digital printing and traditional art printing techniques: Lithography, offset printing, gravure printing, typography, etc.
Figueras paper is specially prepared for direct painting with oil and acrylic colours. It has a linen-like texture and a special coating that absorbs oil, binders and water.
Figueras paper is specially prepared for direct painting with oil and acrylic colours.
Figueras paper is specially prepared for direct painting with oil and acrylic colours. It has a linen-like texture and a special coating that absorbs oil, binder and water. 1.40 x 10 m paper roll.
Canson pad with deep black paper. The smooth surface of the paper is ideal for drawing with pencil, ink or acrylic markers. Acid-free. 120 gsm. 20 sheets. Glued on 1 side.
Canson Graduate Bristol pads made from extra white and smooth paper. 180 gsm. 20 sheets. Glued on 1 side. Acid-free. For precise drawings with pencil or fineliner. FSC-certified.
Canson Graduate sketch and drawing pad. 140 gsm white paper. 40 sheets. Cold pressed for dry techniques. Cover with stapled pages. Ideal for travelling and sketching.
Canson Graduate 160 g drawing paper notebook. Natural white. 104 pages. Hardcover with sewn binding. Inside cover with gusset, bookmark and elasticated closure. Portrait format. FSC-certified.
Canson Graduate drawing pad 160 gsm. White paper, free from acid and optical brighteners. 30 sheets. Glued on 1 side. Ideal for pencil, pastel, marker, charcoal or sanguine. FSC-certified.
Canson Graduate Lettering Marker pad made of 180 g extra soft, glossy white paper. For markers, pens and ink. Contains 20 sheets. Glued on 1 side. 100% cellulose. FSC certified.
Canson Graduate Lettering Mixed Media pad made from 200 g natural white cellulose paper. Contains 20 sheets. Glued on 1 side. Acid-free. For practising lettering with any technique. FSC-certified.
Canson Graduate Mixed Media notebook made from 200 g white cellulose paper. Very smooth and resistant texture. Hard cover. Pleated cover with elasticated closure. Flat opening. 80 pages. FSC-certified.
Canson Graduate Mixed Media pad made from 200 gsm white paper. 20 sheets. Glued on 1 side. Cold pressed. Acid-free. Mixed media. FSC-certified.
Canson Graduate Mixed Media Pads in natural ochre and grey tones. 220 gsm. 30 sheets. Glued on 1 side. Acid-free, cold pressed paper. Double-sided (light grain and smooth). FSC-certified.
Canson Graduate Mixed Media notebook made from 200 g natural white cellulose paper. 72 pages. Sewn cover that allows for flat opening. Hardcover. Cover with fold. Elasticated closure. FSC-certified. Portrait and landscape format.
Canson Graduate Mixed Media notebook. Cellulose paper in ochre and grey 220 g. Mixed media. Double texture: one side slightly grained, the other smooth. Hard cover. Cover with fold and elasticated closure. Opens flat. 64 pages. FSC-certified.
Canson Graduate pad for oil and acrylic colours. 290 gsm paper. 20 sheets. Thick white paper, free from acid and optical brighteners. Glued on 1 side. FSC-certified.
Canson Graduate notebook for drawing or taking notes. 90 g natural white paper. 184 pages. Hard or soft cover in blue, grey or black. Opens flat. Inside cover with gusset, bookmark and elasticated closure. FSC-certified.
Canson Graduate sketch pad. Light and full-bodied 96 gsm paper. White. 40 sheets. glued on 1 side. Acid-free. For quick sketches with pencil, charcoal or sanguine. FSC-certified.
Canson Graduate special pad for watercolour. White cold pressed paper, 250 gsm. Pad with 20 sheets, glued on 1 side. Acid-free. Suitable for beginners in the watercolour technique.
Watercolour notebook with 250 g cellulose paper. Natural white. Contains 56 pages with thread stitching. Hard cover. Inside cover with gusset, bookmark and elasticated closure. Portrait and landscape format. FSC-certified.
Canson Guarro Basik drawing pad. Micro-perforated paper with spiral binding. Natural white, slightly satiny, offers firmness and uniformity on the surface. Suitable for pencil, wax crayon and ink drawing. Rigid cardboard backing.
The first paper range specially designed for illustrations, comics and Manga. Particularly smooth paper, resistant to abrasion, smudging and erasing. Extra-white paper with excellent colour contrast, perfect for scanners.
Canson Imagine mixed media roll paper. 200 gsm paper, 100% cellulose, acid-free, white, natural appearance and silky texture. Ideal for drawing with pencil, pastel, charcoal, etc. and for wet techniques such as watercolour, gouache, ink, etc.
Arches Aquarelle Rag photo and digital printing paper. 100% cotton. Felt-marked finish, ideal for excellent colour reproduction, deep blacks and pure whites, on a natural texture. No optical brighteners.
100% cotton paper with the same properties as traditional watercolour paper. It meets the requirements of galleries and museums. Waterproof.
Genuine watercolour paper made from 100% cotton rag, which has the same properties as a traditional artist´s paper. It fulfils the strictest conservation standards.
Genuine baryta paper, developed for inkjet printing. This museum-quality photo paper enables particularly deep blacks (Dmax), excellent image sharpness and is therefore ideal for black and white photographs.
Paper with 500 years of history. Now also available in the Digital Fine Art & Photo range. No optical brighteners. Unrivalled feel, soft and smooth. Instantly dry. Permanent stock of A4, A3, A3+ rolls of 61 and 91 cm. Delivery within 24h/48h.
Paper made from 100% cotton rag paper. Slightly grainy texture, reminiscent of traditional printing and art papers. Offers particularly high resistance to ageing.
Canson Infinity-Glassine paper roll 40 gsm. Glazed cellulose paper, very resistant, pH-neutral, semi-transparent and thin. Lightweight, acid-free and biodegradable. Designed to protect and preserve any type of artwork.
Canson watercolour paper now available in the Canson Infinity range. Genuine cold pressed watercolour paper treated for spectacular inkjet prints.
Paper with the highest gloss level on the market for RC photo paper. More vivid colours and deeper blacks. Offers a very high resolution of up to 5760 dpi.
Canson Infinity Photo Lustre Premium RC is an acid-free alpha-cellulose paper with a polyethylene coating and microporous ink-receiving layer. Perfect for high-quality black and white and colour reproductions.
Canson Infinity archiving boxes have been specially developed for archiving and preserving photos. Contains 25 sheets of glassine paper. The surface is covered with black paper, which offers high water and light resistance.
PhotoArt HD Canvas. Developed to ensure excellent consistency in the structure and binding of the canvas. Glossy white with matt finish, exceptional print quality: excellent colour range, sharpness, high D-Max, etc.
PhotoGloss Premium RC offers exceptional Dmax (black density) and an excellent colour spectrum. It also exceeds the expectations of professional photographers in terms of durability.
PhotoGloss Premium RC offers exceptional Dmax (black density) and an excellent colour spectrum. It also exceeds the expectations of professional photographers in terms of durability.
100% cotton rag. Used for years in the traditional photographic market, but adapted with the latest technological innovations in paper coating.
100% cotton rag, ultra-smooth, printable on both sides. Ageing resistance and durability of prints. Intense colours, deep blacks.
Fine, semi-transparent, glazed cellulose paper. PH-neutral, 40 gsm, low weight but high strength. 100% biodegradable, acid- and chlorine-free. Ideal as a conservation paper to protect documents, prints, photographs, etc.
Stapled notebook with 24, 30 or 36 sheets depending on size. Customisable cover made from Canson Mi-Teintes paper and Canson Crob´Art paper (96 gsm). Available in different colours and sizes.
Acid-free paper, lightly grained, made from 100% alpha cellulose. Sized internally and on surface, making it highly resistant to repeated erasing. Pure white colour.
Pad for practising writing with felt-tip pens, ballpoint pens and fountain pens. Extra white 180 gsm paper. Hot pressed. Acid-free. Glued on 1 side.
Ideal not only for pastel and dry techniques, but also for decoration and folding, thanks to its flexibility and lightfastness.
Ideal for pastel and dry techniques, decoration and folding thanks to its flexibility and lightfastness.
Canson Mi-Teintes pad. Glued on 1 side. Weight 160 gsm. Ideal for pastels, dry techniques, handicrafts or decoration. One side with honeycomb grain and the other with fine grain.
Canson Mi-Teintes 160 gsm cardboard. Different textures on each side: one side with a honeycomb grain and the other with a fine grain. Ideal for pastels, dry techniques, arts and crafts or decoration.
Ideal not only for pastel and dry techniques, but also for decoration and folding, thanks to its flexibility and lightfastness.
Pastel paper with a special micro-abrasive surface that offers extreme grip in any dry technique.
Canson Mi-Teintes Touch pad with 12 sheets of 350 gsm for pastel. Rough surface provides extreme grip and allows multiple layers in any dry technique for beautiful effects. Compatible with charcoal, pencils and acrylics.
Canson Mi-Teintes Velvet paper pad. 430 gsm. Velvety texture, smooth and less abrasive. Perfect pigment adhesion. No fixative required. Compatible with other dry, wet and craft techniques.
Canson Mi-Teintes Velvet paper sheets. 430 gsm. Velvety smooth texture, perfect for pastels and does not require fixative. Low abrasive surface perfect for saving material. Compatible with wet techniques and handicrafts.
Canson Mi-Teintes Velvet paper roll, perfect for pastel and dry techniques. 430 gsm. Smooth, velvety and non-abrasive surface that does not require fixative. Compatible with wet techniques and handicrafts.
Canson Mixed Media Artist pad with 300 gsm paper with 10% cotton. Natural white. Glued on 1 side. Mixed media: Watercolour, gouache, ink, acrylic and markers.
Canson Mixed Media Artist mixed media pad with 600 gsm paper. Cold pressed. 10% cotton. Natural white. Glued on 1 side. For watercolour, gouache, ink, acrylic and makers.
Canson Mixed Media Artist paper sheets in natural white. Surface with 10% cotton. Suitable for techniques such as watercolour, acrylic, ink and felt-tip pens. Extremely resistant.
Canson Mixed Media Artist paper roll. Natural white colour. Size 1.5 x 10 m. 10% cotton. Suitable for watercolour, acrylic, inks and markers. Very resistant.
Montval notebook made from 100% alpha cellulose paper. With spiral binding. Natural white paper 300 g. Acid-free. For watercolour and wet techniques. Hard cover with rubber grip.
Montval cellulose watercolour paper pad. With spiral binding. Free from acids and optical brighteners. For students and amateurs of watercolour and wet techniques.
Canson Montval cellulose watercolour paper pad. Glued on 1 side with 12 sheets of 300 g. Cold pressed. Free from acids and optical brighteners. For watercolour and wet techniques.
Canson Montval watercolour pad made from 100% alpha cellulose paper. Glued on 4 sides. Natural white acid-free paper 300 g. Cold pressed. For watercolour and wet techniques.
Montval spiral-bound watercolour pad with 100% alpha cellulose paper sheets. Cloudy surface. Natural white paper 270 g. Acid-free. For watercolour and wet techniques.
Montval watercolour pad made of 100% alpha cellulose paper with a cloudy surface. Glued on 1 side. 270 g. Natural white paper. Acid-free. For watercolour and wet techniques.
Montval 100% alpha cellulose paper with a cloudy surface. Natural white paper. 270 g. Acid-free. For watercolour and wet techniques.
Acid-free watercolour paper without optical brighteners, with anti-mould treatment. Very easy to use and make corrections. Pad glued on one side.
Watercolour paper. Core sized, natural white. Produced in neutral, acid-free medium.
Watercolour paper. Core sized, natural white. Produced in neutral, acid-free medium.
Montval watercolour paper roll 1.52 x 10 m. 185 or 300 gsm.
Transparent, matt polyester film, suitable for technical drawings, very resistant and dimensionally stable. The surface has been treated on both sides to reduce tip wear.
Transparent, matt polyester film, suitable for technical drawing. Very resistant and dimensionally stable. Surface-treated on both sides to reduce corner wear. Can be used with all reproduction media.
Canson Vegetal Satin tracing paper for tracing, line drawings, Indian ink, pencil, etc. Transparent, microfine, smooth surface. Perfect definition and contrast. Weight between 110 and 115 gsm. Highly resistant to erasing with rubber.
Drawing pad for sketching, with very durable, textured hard cover and sewn binding. 98 sheets of Canson drawing paper 100 gsm. Ideal for pencils, coloured pencils, pastels, charcoal, wax crayons, markers, etc.
The new Canson The Wall paper is resistant to alcohol-based markers and aerosol sprays. Thanks to a unique manufacturing process, the ink does not bleed through. Ideal for graffiti artists, illustrators and designers.
Wall Canson pad with revolutionary paper especially for graffiti artists, illustrators and designers. Completely opaque, the ink does not bleed through even after several applications. Resistant to alcohol-based markers and aerosol sprays.
The revolutionary paper Canson The Wall. Unique manufacturing process, resistant to alcohol-based markers and aerosol sprays. For designers, illustrators and graffiti artists. Ink does not bleed through even after several applications.
Canson transparent tracing paper with high transparency and an even, smooth surface.
Drawing pad for those who express their daily life in sketches and drawings. With 112 sheets of Canson Crob´Art drawing paper 96 gsm. Stapled at the spine. The paper is free from acids and optical brighteners. 4 sizes.
Canson pads made from deep black, acid-free paper, 150 gsm. One side smooth, the other slightly grained.
Canson XL Bristol spiral pad for drawing and illustrating. White, extra-smooth 180 gsm paper with a satiny finish. Acid-free. Extremely resistant to felt-tip pens, water-based inks and all types of pencils.
Canson XL Book Croquis sketch pad 90 gsm. Ivory-coloured paper, 100% alpha cellulose. Ideal for pencil, pastel, charcoal and sanguine. Hard cover. Spiral binding. Portrait format. Acid-free paper.
Canson XL Dessin Book sketch pad. Acid-free, 160 gsm paper for dry techniques and drawings. Special surface that ensures clean erasing. Ideal for pencil, pastel, charcoal and sanguine. Hard cover in portrait format, with spiral binding.
Canson pads made from 160 gsm paper. Can be used for all dry techniques. Withstands repeated etchings.
Canson XL Recycled is a drawing paper made from recycled fibres. It does not flake off during erasing and allows you to work with materials such as pencils, charcoal, ballpoint pens and even wet techniques such as ink, gouache, etc.
Canson XL Extra White pad. Extra white 90 gsm paper for all types of notes, sketches and drawings using dry techniques such as pencil, pastel, charcoal or sanguine. Texture similar to Canson XL Croquis, acid-free and with anti-fungal treatment.
Canson XL Fluid Mixed Media 250 gsm pad, extra white and smooth. Ideal for acrylic, ink, marker, etc. The paper is very strong, can be used on both sides and is perfect for smooth, clean and easy application. Acid free.
Canson pads made of 90 gsm kraft paper, without optical brighteners or acid.
Bloc XL marker pad. Suitable for all types of markers, whether water-, alcohol- or solvent-based. With a barrier that prevents ink from penetrating. The ink remains on the surface. Excellent and even colour reproduction.
Mixed media paper pad, 160 gsm, light, natural white. Ideal for all dry and slightly wet techniques. Acid-free. With spiral binding. Hard cover.
Canson XL mixed media paper pad. Highly resistant, textured 300 gsm paper. Acid-free. Spiral binding with hard cover. Natural white colour.
Canson XL Mixed Media, 300 gsm paper pad for water-based mixed media. White with slight vertical grooves. Its high grammage makes it an all-rounder for watercolour, gouache, tempera, acrylic or ink.
Canson XL oil and acrylic pad, 290 gsm paper, very strong, high quality, acid-free and age-resistant. Absorbs water, solvents and binders evenly. Non-woven texture. Can be used on both sides.
Canson XL Croquis sketch pads made of 90 gsm acid-free, very fluffy drawing paper. Better quality than the Guarro sketchpad. Sketchpad for all types of sketches (pencil, pastel, charcoal or sanguine).
Canson XL Sand Grain pad. 160 gsm paper. Sand grain texture for sketches and drawings using dry techniques such as pencil, pastel, charcoal, etc. Acid and bleach free. Made from renewable materials of organic origin. In natural and grey colours.
Canson XL Watercolour pads. Weight 300 gsm. Ideal for watercolour and a variety of wet techniques. Acid-free, cold-pressed paper. Easy to erase with water. Microperforated. Spiral on the short side.
Canson XL watercolour pads with 300 gsm watercolour paper, natural white, cold pressed. For watercolour and wet techniques. Resistant to scratches, erasing and corrections. Acid-free. Spiral binding with hard black cover.
Canson Drawing Art pad with 100% cellulose paper. Glued on 1 side. White paper. 150 g. Acid free.
Paper pad for illustration and design. Glued on 1 side. Bright white 250 g paper. Acid-free. For markers, pencils and ink.
Canson paper pad 100% cellulose. 180 g. Glued on 1 side. White drawing paper. Acid-free.
Pixel Art pad made of Canson paper for drawing and colouring. Glued on 1 side. White paper 120 g. Acid-free. For pencils and wax crayons.
Canson paper pad for sketches and notes. Glued on 1 side. 90 gsm white paper. Cellulose. Acid-free. For pencils, ballpoint pens or wax crayons.
Canson Opaque Cad 90 gsm paper roll. Smooth opaque paper for printing. White colour. Size: 0.841 x 50 m. Discontinued product.
Canson PaperJet Cad 96 gsm paper roll. White colour. Size: 0.61 x 46 m. Discontinued product.
Arches Aquarelle Rag paper roll for digital printing and photography. 100% cotton. Natural finish like watercolour paper, ideal for reproducing excellent colours, deep blacks and pure whites. Contains no optical brighteners.
Canson Tendance folder for storing drawings, sketches, illustrations, etc. Matt brown paper outside, kraft paper inside. Black linen spine with gussets and four reinforced corners. Elasticated closure.
