Vallejo Retarder Medium. Delays the drying time of acrylic paints for model making, especially Model Color. 17 ml bottle with dropper.
Vallejo gloss medium that increases the flowability and transparency of model and miniature paints. Improves adhesion to the surface. Does not yellow.
Protective gloss varnish for metallic pigments. Protects the paint from wear processes. Solvent-free. Plastic jar with hinged lid.
Flowable, transparent and glossy medium for pouring applications, for producing uniform puddles and colour films. Does not increase the transparency of the colours. Flexible after drying.
Opaque paste for creating reliefs and impastos. Preserves the imprint of the mould. Can be carved, painted and sanded after drying. Does not crack. Can be used alone or mixed with acrylic paint. Contains 100% recycled resin.
100% acrylic polymer lacquer, glossy surface. Low viscosity. Water-soluble when wet, hard after drying, flexible and resistant to dirt and discolouration. For interior and exterior applications. Not suitable for oil paints.
Thick, opaque, white paste for thick reliefs or impastos. Retains its volume and does not crack when dry. Can be used alone or mixed with acrylic colours. Contains 100% recycled resin.
Transparent medium that liquefies the colours and increases transparency. Translucent and satin finish. Does not yellow. Ideal for the moulding technique.
Bindex binder for the preparation of acrylic colours, transfers, collages and inlays. Gives the colour more depth. Translucent and satin finish.
Ultra-matt polyurethane varnish. Formulated with state-of-the-art resin. Non-irritating. Fast drying. Can be used with a brush or airbrush. UV resistant.
Water-based varnish for decoration. Ecological. Satiny surface. Colourless, extremely resistant and washable. Fast drying.
Colourless varnish that is applied to any surface that has already been painted and dried. Allow to dry and apply another coat in a different colour, which will crack as it dries, allowing the first colour to show through.
Light modelling clay consisting of microspheres and titanium white. Matt and opaque. For creating volume and structure. Can be mixed with mediums and acrylic colours to create a flexible texture or used as a primer.
Formulated with marble dust and titanium white. Matt and opaque paste to create volume and structure. Creates flexible textures. Can be mixed with mediums and acrylic colours or used as a primer.
Liquitex Acrylic Metallic Medium. Creates silver effects when mixed with acrylic colours. For all surfaces that are suitable for acrylic paints. Does not affect the stability of acrylic colours.
Liquitex Crackle Paste. Creates a crackled surface texture after drying. It can be used alone or mixed with acrylic paint to create a structurally stable crackle effect on rigid surfaces.
Liquitex glass acrylic medium. Transforms acrylic colours into durable glass paint. Adheres to smooth, non-porous surfaces such as glass, ceramics or porcelain. When heated, it creates a permanently glossy surface.
Liquitex acrylic medium for creating a metallic gold effect on the colour or for adding gold reflections to the surface. Suitable for all surfaces that are suitable for acrylic paints.
Liquitex gel medium for acrylic paints. Satiny surface. Increases the thickness of the paint and helps to spread the colour on the surface. Flexible and waterproof after drying.
Smoothing, liquid medium with a matt finish. Flexible after drying. Resistant to light and cracking. Does not yellow. Developed for acrylic paints.
Liquitex medium for acrylic paints. Increases the fluidity of the paint and the transparency of the colours. Gives a satin finish. Flexible and waterproof after drying.
Smoothing, liquid medium for an iridescent finish or to add reflections to the surface. Lightfast. Does not yellow. The medium is flexible and water-resistant after drying. Does not crack.
Ultra-matt medium for techniques such as acrylic or gouache. Provides additional opacity of the colours and an ultra-matt end result. Maintains the colour properties, intensity and hue. Slows down the drying time.
Transfer medium for printing images directly onto substrates such as paper, textiles or wood. The colours of the printed paper are absorbed and dry together with the carrier layer, and the image is transferred to the new surface.
Crackle medium. Very easy to use. Creates cracking and craquelure effects in gouache and acrylic colours. Can be used on any support or surface, including vertical surfaces.
Matt adhesive varnish for decoration, patchwork and scrapbooking. Dries very quickly on any surface. Waterproof. Solvent-free. Suitable for use on wood, paper, cardboard, plastic, metal, plaster, etc.
Lacquer adhesive for fixing and protecting puzzles. It enables them to be glued and painted on flat surfaces. Transparent after drying. Gives the colours an extra shine and increases their durability over time.
Flexible paste by Vallejo for use as a primer or medium to create textured backgrounds, etc. Marble powder and titanium white. Dries white and opaque. Can be painted with oil or acrylic colours. Can be used on any porous surface.
Schmincke ready-to-use acrylic binder that is mixed with pure pigments to make your own acrylic colours. Ready-to-use, but water-soluble if required. Non-yellowing. Resistant to ageing and water as soon as it is dry.
Thick, matt Titan acrylic gel that serves as a medium for mixing with acrylic colours, increasing their consistency and reducing their gloss. High adhesion and binding power. For porous surfaces. Once dry, it is transparent, waterproof and elastic.
Thick, glossy Titan acrylic gel that serves as a medium for mixing with acrylic colours and increases their consistency and gloss. High adhesive and binding power. Suitable for porous surfaces. When dry, it is transparent, waterproof and elastic.
Titan matt acrylic gel that serves as a medium for mixing with acrylic colours, maintains their consistency and reduces gloss. High adhesion and binding power. Suitable for porous surfaces. Once dry, it is transparent, waterproof and elastic.
Titan glossy acrylic gel, serves as a medium for mixing acrylic colours and changes their consistency, transparency, opacity, viscosity and gloss. High adhesion and binding power. After drying, it is transparent, waterproof, glossy and elastic.
Matt thinning medium for acrylic paints by Titan Arts. Ideal for transparencies, glazes, etc. Can be mixed with additives to obtain textures. Gives volume, improves colour flow, facilitates application and reduces the gloss of the paint.
Acrylic polymer medium by Vallejo for mixing, glazing or as a glossy and durable varnish. Can also be used as a protective and insulating layer. Fast drying. Water resistant. Do not use on oily or greasy surfaces. Can be diluted with water.
La Pajarita Photo Transfer for transferring and fixing images printed with a photocopier or laser printer to all types of surfaces: Canvas, wood, ceramics, metal, fabric, glass, etc. Glossy and transparent surface.
Lefranc Bourgeois multi-effect binder gel for gluing, hardening fabrics, modelling and shaping. Can be used alone or mixed with acrylic colours. Once dry, it is highly flexible, waterproof and has a satin finish. Does not yellow.
Lefranc Bourgeois varnish, which offers a glare-free surface and a perfectly homogeneous, glossy transparency.
Flexible and very resistant varnish from Lefranc Bourgeois for finishing oil, acrylic and gouache.
Lefranc Bourgeois varnish based on acrylic resin, with which fresh colours can be applied over older layers of paint.
Colourless fixative varnish spray. For universal use. Perfect for fixing and protecting documents, watercolours, prints, pencil or charcoal drawings, tempera or oil paints, etc. Invisible when applied in a thin layer. Fast drying.
Glossy varnish based on acrylic resin that revives colour tones. Alternative to traditional solvent-based varnishes. Easy to apply with brush or mottler. Non-yellowing.
Matt varnish based on acrylic resin that increases the opacity and depth of colour shades. Alternative to traditional solvent-based varnishes. Easy to apply with brush or mottler. Non-yellowing.
Acrylic varnish for painting and decoration. Made from acrylic resin with white spirit. Contains UV filter that absorbs and protects the work from ultraviolet rays. Ideal for painting or outdoor exhibitions. Non-yellowing.
Maimeri Polycolor Body dense and pasty acrylic pastes with maximum lightfastness. Extremely malleable and modellable.
Flowable acrylic binder. Increases adhesion and makes acrylic colours translucent and more fluid. Pebeo Studio Acrylic Medium Bindex Dyna is formulated with pigments that change colour depending on the angle of incidence of light.
Acrylic polymer and gel based on coloured sand. Ready for use. Preferably apply with a painting knife. After drying, it looks like textured sand. Dilutable with water or Bindex. Available in white, yellow, red and black.
Gel for mixing with acrylic colours. Increases transparency, depth and drying time. Does not yellow and has a glossy, matt or glow-in-the-dark finish after drying (depending on whether you apply one or the other).
Studio acrylic medium glossy. This medium enhances the effect and depth of the colours. After drying, it remains transparent and has a glossy finish. It is ideal for creating glazes.
Acrylic paste for modelling and creating thick textures in 3 different versions: Modeling Paste Studio (for reliefs), Modeling Paste High Density and Modeling Paste Crackle Effect (for crackle effects).
Fixes and protects drawings or figures made of clay, wood, cardboard, etc. that have been painted with wax crayons, tempera or pencils. Gives a glossy surface and protects against light. Available in 60, 100, 500 and 1000 ml plastic bottles.
For transferring images to wood, canvas, cardboard, etc. Apply the medium to the surface and place the picture face down. Leave it to dry. Moisten the cut-out with water and remove the paper with your fingers.
A medium for transferring colour images printed on paper onto cotton or linen fabric. Water-based, non-toxic.
Multi-coat water-based acrylic varnish. Ultra-matt finish, transparent and highly resistant to moisture and ageing. Suitable for exterior and interior use.
Transparent gel based on a 100% acrylic polymer emulsion. Contains microspheres that provide a finely textured surface, a porous finish and volume.
Very thick, transparent gel based on a 100% acrylic polymer emulsion, ideal for achieving matt surfaces with high relief or volume. It is also very useful as an adhesive for collages and transfers of printed images.
Ready-to-use, matt-transparent gel based on a 100% acrylic polymer emulsion, ideal for relief or volume painting. Increases viscosity and holds the brushstroke. Can be mixed with pigments or water-based colours.
Ready-to-use, transparent gel based on a 100% acrylic polymer emulsion, ideal for relief or volume painting. Increases viscosity and maintains the brushstroke. Can be mixed with pigments or water-based colours.
Paste based on acrylic polymer emulsion with a matt opaque finish. It does not contain pigments, which means that it retains its colour when mixed with water-based paints or pigments.
Dense paste made of acrylic resin, titanium dioxide and mineral fillers. Allows to obtain surfaces with a sandy and porous texture. Once dry, it can be painted with any type of water-based or solvent-based paint.
Paste based on acrylic resin, titanium dioxide and mineral fillers. Allows to obtain surfaces with a sandy and porous texture. Once dry, it can be painted with any type of water-based or solvent-based paint.
Vinyl plastic base for use as an adhesive, ideal for its transparent surface. It is used for bonding a variety of materials such as paper, cardboard, wood, leather, felt, etc.
Viscous water-based paste for use on a variety of surfaces. High volume effect, adhesion, hardness and elasticity. The colours can be mixed with each other.
Self-levelling gel with a honey-like consistency. Mix with acrylic paint to achieve interesting application effects, increase colour depth and improve transparency and fluidity.
Excellent for sculptural effects when a matt finish is desired. Provides the working properties of oil or encaustic colours when added to water-based acrylic paints and mediums.
Extends the drying time of acrylic paints and mediums by up to 40%. It is an absolutely essential additive when working in drier climates.
Heavy, thick, coarse-grained gel containing opaque white flakes of irregular size and shape. For an effect like snowflakes or coconut flakes. Preferably use with translucent or transparent colours.
Medium consistency gel with transparent plastic microspheres for a texture reminiscent of small bubbles. When poured, it forms a glossy, flexible coating for a variety of applications.
Finely textured gel that looks like fine, shiny beach sand when dry. Mix it with other gels to create unique surfaces. An excellent choice to add a little roughness to a base painting.
Thick, finely textured gel. It dries to a light grey, matt stucco finish and is an excellent absorbent base for washes, glazes, etc.
Matt, opaque preparation made from marble powder and polymer emulsion. It takes longer to dry than other modelling clays and produces a hard but flexible surface.
A light, airy preparation of marble powder and polymer emulsion specially formulated for applications where weight is an issue. It can be used to add body to colour and create pastel shades.
Super-thick, matt, opaque preparation of marble powder and polymer emulsion for creating thick textures on rigid surfaces. This product can be worked like clay and leaves a very hard surface after drying.
For indoor and outdoor applications. Excellent levelling properties. Non-yellowing. Translucent when wet, transparent when dry.
For indoor and outdoor applications. Excellent levelling properties. Non-yellowing. Translucent when wet, transparent when dry.
For indoor and outdoor applications. Excellent levelling properties. Non-yellowing. Translucent when wet, transparent when dry.
Liquitex Soluvar Matter Varnish for interior and exterior use with UV stabilisers. Can be used on oil colours and acrylic paints. Does not yellow and can be removed with white spirit or turpentine.
Innovative liquid acrylic resin that extends the drying time of colours. It is sprayed onto the palette or directly onto the surface of a colour. Prevents the paint from forming a film on its surface.
Gives acrylic colours a metallic/pearl sheen effect. When dry, it is translucent and does not oxidise. It can add highlights or shimmer to a painting, even in small quantities.
Improves the mixability, workability and adhesion of acrylic colours for direct painting on fabrics or canvases without primer. Reduces the stiffness of the dried paint. No heat setting required.
An indispensable medium for creating soft edges and modelled shapes. With this medium, the working time of acrylic colours can be extended by more than 40%.
Use it when maximum transparency is required to add luminosity and depth to your colours. This liquid medium can be used in conjunction with transparent colours for brilliant glazes.
A classic medium that is used to give delicate brush paintings a fluid consistency or as a slightly glossy glue for collages. This medium has a creamy consistency and works well with opaque colours.
Thick gel that extends the working time of acrylic colours by more than 40% and facilitates mixing. Add up to 50% to achieve excellent impasto techniques without compromising the strength of the colour layer.
Gel with a high resin content that leaves a matt surface after drying. Maintains the opacity of the colour and spreads the paint by doubling the quantities without changing the position of the colour.
Thick gel that leaves a matt and translucent finish after drying. Ideal for creating collages with heavier objects. Combine with glossy gel medium for a customised satin finish.
Super-thick gel with high surface strength that gives a rigid, oil-like feel. It is ideal for creating reliefs and sculptural applications that retain their shape after drying and hardly shrink at all.
Thick gel medium that prolongs the time of use and increases gloss and transparency.
It is ideal for maintaining brushstrokes while extending the drying time and adding body to the paint. Excellent for transferring printed images.
Extra thick gel that preserves high reliefs and brush and painting knife marks that are barely smoothed. This medium extends the working time of the paint and leaves a translucent, matt finish.
An excellent choice if you are working with low humidity or want to increase the workability and mixing time of acrylic paints and mediums.
Breaks the tension of water by improving the flow, absorbency and mixability of all water-based paints, inks or dyes and minimises brushstrokes. Ideal for creating very liquid washes without hard edges.
Gives the work a satin finish that slightly accentuates the colours of the painting and prevents yellowing. Protects against UV rays.
Gives the work a matt finish that softens the shine of the colour and prevents yellowing. Protects against UV rays.
Gives the work a glossy finish that accentuates the colours of the painting and prevents yellowing. Protects against UV rays.
To be used as a universal screen printing medium.
Universal gel for achieving pearlescent or iridescent effects with normal colours. The best results are achieved with a ratio of 80% gel and 20% acrylic colour.
Contains no thickeners. Can be mixed with Old Holland New Masters Acrylics in the desired ratio. Dries to a silky matt, durable film.
Contains no thickeners. Can be mixed with Old Holland New Masters Acrylics in the desired ratio. Dries to a matt, durable film.
It gives the paint a higher gloss than when it comes out of the tube. Does not contain thickeners. Can be used in the desired ratio.
Glazing medium particularly designed for the glacis painting technique.
Extends the drying time without changing the viscosity and density of the colour. Add a maximum of 10% and mix well with the colour.
It has a lower viscosity than Old Holland New Masters Acrylic and transforms the colour into a flowing acrylic.
It has a lower viscosity than Old Holland New Masters Acrylic and transforms the colour into a flowing acrylic.
It has a lower viscosity than Old Holland New Masters Acrylic and transforms the colour into a flowing acrylic.
Increases the transparency of the colour. The gels are thicker than the mediums and keep the density of the Old Holland acrylic unchanged and are indispensable in the impasto process.
Increases the transparency of the colour. The gels are thicker than the mediums and keep the density of the Old Holland acrylic unchanged and are indispensable in the impasto process.
Increases the transparency of the colour. The gels are thicker than the mediums and keep the density of the Old Holland acrylic unchanged and are indispensable in the impasto process.
Gel with a higher viscosity than New Masters Acrylics.
Gel with a higher viscosity than New Masters Acrylics.
Gel with a higher viscosity than New Masters Acrylics.
This gel is much thicker than acrylic and allows thick layers of paint to be applied. High Build Gel has a semi-opaque finish.
This gel is much thicker than acrylic and allows thick layers of paint to be applied. High Build Gel has a semi-opaque finish.
This gel is much thicker than acrylic and allows thick layers of paint to be applied. High Build Gel has a semi-opaque finish.
Developed by Old Holland for creating thick, solid layers of paint. After drying, it has a transparent finish.
Developed by Old Holland for creating thick, solid layers of paint. After drying, it has a transparent finish.
Developed by Old Holland for creating thick, solid layers of paint. After drying, it has a transparent finish.
New polyurethane varnish formulated with a state-of-the-art, non-irritating water-based resin. This varnish has the superior durability of polyurethane and the ease of application of water-based products. UV resistant.
New polyurethane varnish formulated with a state-of-the-art, non-irritating water-based resin. This varnish has the superior durability of polyurethane and the ease of application of water-based products. UV resistant.
New polyurethane varnish formulated with a state-of-the-art, non-irritating water-based resin. This varnish has the superior durability of polyurethane and the ease of application of water-based products. UV resistant.
Can be removed with ammonia or other alkaline substances without damaging the paint if subsequent corrections are required. UV-resistant.
Can be removed with ammonia or other alkaline substances without damaging the paint if subsequent corrections are required. UV-resistant.
Can be removed with ammonia or other alkaline substances without damaging the paint if subsequent corrections are required. UV-resistant.
Cannot be removed after drying. Two coats of varnish at least 4 hours apart are recommended. If desired, it can be thinned with water. UV-resistant.
Cannot be removed after drying. Two coats of varnish at least 4 hours apart are recommended. If desired, it can be thinned with water. UV-resistant.
Cannot be removed after drying. Two coats of varnish at least 4 hours apart are recommended. If desired, it can be thinned with water. UV-resistant.
Extra dense acrylic gel with maximum viscosity. Translucent and completely matt once dry.
Extra dense acrylic gel with maximum viscosity. Dries clear and glossy.
Dense, highly viscous acrylic gel formulated with permanent pigments. Dries clear and glossy. Can be mixed with colours, gels and stone products.
A dense gel that forms a transparent, matt film with high flexibility and hardness. Resistant to water, weather and UV-light. For glazes, increased transparency, body and additional protection.
A dense gel that forms a transparent, glossy film with high flexibility and hardness. Resistant to water, weather and UV-light. For glazes, increased transparency, body and additional protection.
Translucent, colourless and matt glazing medium based on acrylic resin with a drying time of approx. 90 minutes to enable glazing and other techniques that require slow drying.
Mixing Textile Medium with 50% acrylic colours produces a heat-setting paint with flexibility and adhesion to fabrics that can also be used in screen printing.
Slow drying liquid medium (90 minutes). Dries clear, glossy, flexible, non-yellowing, waterproof and permanent. For glazing, watercolouring, layering colours and textures.
Thins acrylic colours without losing adhesion. For washings, details and miniatures.
Mixed with acrylic colours up to a maximum of 10%, it delays the drying of the colours. Very useful for mixing and shading and to reduce film formation on the colours of the palette.
Acrylic medium with mica that can be mixed with colours to create pearlescent reflections or used alone to create silver and shimmer effects.
Increases the transparency of the colours. Medium viscosity. Dries to a clear, satiny and flexible finish.
It mattes colours and increases their transparency. Does not yellow. Medium viscosity. Dries to a transparent, matt and flexible finish.
Increases the gloss and transparency of colours. Medium viscosity. Dries to a transparent, glossy and flexible finish.
Increases transparency and colour flow. Quick-drying, flexible and waterproof.
It mattifies the colours and increases their transparency and fluidity. Quick-drying, flexible and waterproof.
Increases gloss, transparency and colour flow. Quick-drying, flexible and waterproof.
Winsor & Newton Artists´ Acrylic Varnish Remover allows you to safely remove the varnish and remove dirt and surface contaminants without damaging the artwork. Removes Winsor & Newton Artists´ Acrylic Varnishes.
Winsor & Newton acrylic varnish with a UV protectant that improves lightfastness and protects against other UV damage such as fading, colour change, etc. For varnishing paintings, digital prints, etc.
Winsor & Newton acrylic varnish with a UV protectant that improves lightfastness and protects against other UV damage such as fading, colour change, etc. For varnishing paintings, digital prints, etc.
Winsor & Newton acrylic varnish with a UV protectant that improves lightfastness and protects against other UV damage such as fading, colour change, etc. For varnishing paintings, digital prints, etc.
Light and flexible modelling clay that does not shrink or crack. Thickens the consistency of the colour, gives it body and structure and emphasises texture, as well as brush and painting knife marks. Increases the opacity of the colour.
Additive that increases the colour flow of acrylic paints by breaking the surface tension of water. Ideal for use in areas with uniform and flat colours without changing the colour strength. Maintains colour stability.
This medium increases the transparency, depth and brilliance of the colour. Its gel consistency is thicker than that of the gloss medium and goes very well with the thick, buttery consistency of the colour. It dries to an even glossy finish.
Reduces colour gloss. Contains a transparent binder and matting agent which, when used with Winsor & Newton Artists´ Acrylics, cause no loss of colour depth. Gel consistency, thicker than matt medium.
This is the best medium for creating glazes as it offers maximum colour transparency and enhances colour brilliance. It enables thin layers of highly transparent colour to be built up to achieve luminous and shimmering effects.
Additive that slows down the drying time of acrylic paint in order to obtain more working time for more extensive processing and mixing. A volume ratio of 1:1 doubles the drying time. Maintains colour fastness.
This medium increases the depth, transparency and fluidity of the colour and is therefore ideal for blending or for fine details. It can be used in thicker layers than the glazing medium and ensures an even gloss finish.
This medium improves the colour flow and is therefore ideal for blending or fine details. It provides an even, matt finish and increases the water resistance of the colour after drying. It does not cause any loss of colour depth.
Liquid medium to extend the colour, regulate the transparency, create glazes, increase the gloss, reduce the viscosity or improve the adhesion without affecting the working time of the acrylic.
Liquid medium to extend the colour, regulate the transparency, create glazes, increase the gloss, reduce the viscosity or improve the adhesion without affecting the working time of the acrylic.
Binder-free thinner that reduces the viscosity without changing the drying time of Open Acrylic.
Mod Podge with glitter finish. It is perfect for decorative work. The fine glitter catches the light and reflects it, giving your projects a delicate, eye-catching shimmer in silver or gold.
Mod Podge Shimmer gives decoupage work a softly shimmering gold or silver effect. All the properties of classic Mod Podge, but with a metallic touch. Perfect for festive projects, Christmas, wedding invitations, etc.
Ideal for imitating brushstrokes. When applied to a sheet, it creates a three-dimensional, textured surface that is very similar to the brushstrokes of hand painting. Ideal for posters, prints, decoupage, etc. Transparent, non-yellowing.
It is perfect for sticking any paper, document, drawing, photo, etc. onto paper. It will not change over time due to the action of the adhesive. Perfect for scrapbooking projects, greeting cards, wedding cards, etc.
This formula has the universal performance of classic Mod Podge with the added value of glitter. It adds a sparkling effect to any decoupage work (party accessories, jewellery accessories, fashion, holiday, etc.).
The result of adding resins with higher abrasion resistance to the classic Mod Podge formula, providing extra protection for decoupage projects on functional or constantly used objects. Ideal for furniture, bookcases, etc.
Specially formulated to adhere fabric or paper to fabric. Expands your creative projects by allowing you to use the decoupage technique on a variety of fabric surfaces to personalise jackets, trousers, etc.
Perfect for creating decorative accessories for exterior doors, verandas or patios. Versatile: glues, seals, protects and varnishes. Suitable for all materials (wood, paper, fabric, resin, papier-mâché, glass, etc.).
Mod Podge adhesive, sealer and varnish in one for decoupage. Glossy, satin or matt finish. Versatile: glues, seals, protects and varnishes. Suitable for all materials (wood, paper, fabric, resin, papier-mâché, glass, etc.).
A dense mortar that is mainly used for textures. Ideal for murals. Can be mixed with acrylic colours or other auxiliary products.
High-viscosity acrylic paste made from natural pumice and titanium white.
Highly viscous acrylic medium. Consists of acrylic resin and thickener. Despite its milky white colour, it is unpigmented, transparent, glossy and flexible when dry.
White modelling clay with a fine, smooth texture. Once dry, it can be carved, sanded and used as a levelling compound on buildings or as mortar and filling material for joints between pieces. Ideal for reliefs and 3D effects.
A thick, rough natural stone and pigment paste that is applied with a spatula for surface constructions.
Medium viscosity acrylic paste with a sandy texture and colour. Mixed with an acrylic gel, it is easier to spread and forms a surface that is well suited to drawing with pastel crayons.
Suitable for a variety of surfaces (wood, plastic, cardboard, metal, fabric, glass, etc.). Water-based, non-toxic product.
Acrylic paste for relief effect with a protective agent against ultraviolet (UV) rays. Highest quality. Ideal for simulating brushstrokes in digital reproductions.
High-quality acrylic varnish in an organic medium with a protective agent against ultraviolet (UV) rays.
Marble powder for Fine Arts. Used to create textures and reliefs in oil or acrylic paints. Increases the carrying capacity when mixed with a dense acrylic gel.
Delays the drying of acrylic paints so that the colours can be mixed longer when wet.
Binder for the in-house production of acrylic. Also suitable for gluing.
White pigmented pasty primer for relief primers.
Matt varnish for long-lasting protection of acrylic paintings. Fast drying.
High-gloss varnish for long-lasting protection of acrylic paintings.
Thickening medium. By adding just a small amount, it increases the viscosity and the brushstroke.
Very pasty medium. Increases the transparency and viscosity of the acrylic paint. Reduces the gloss.
Very pasty medium. Increases the viscosity of the acrylic paint, making the brushstroke more pronounced.
Pasty medium. Increases the transparency and viscosity of the acrylic paint. Reduces the gloss.
Pasty medium. Increases the gloss, transparency and viscosity of the acrylic paint.
Increases the transparency and reduces the gloss of the acrylic paint while maintaining its viscosity.
Increases the gloss and transparency of the acrylic paint while maintaining its viscosity.
Thins acrylic paints and at the same time preserves the durability of the colour film.
Titan liquid varnish (low solids content). Lightfast. Does not crackle. Long-lasting. For retouching oil and acrylic paintings.
Matte gel medium based on natural products. Adds body and opacity, retains the brushstroke and prolongs the drying time. Can be used in combination with other brands of paint or acrylic mediums.
Titan final varnish for oil and acrylic paints. Lightfast. Durable, light colour. Does not craquelure.
Glossy gel medium with a thick consistency based on natural products. Prolongs drying time. Adds body and retains the brushstroke. Glossy finish. Can be used in conjunction with other brands of paint or acrylic mediums.
Titan final varnish with matt surface. For oil and acrylic painting. Good lightfastness. Slight permanent paleness. Does not crackle.
Matt Medium based on natural products that prolongs the drying time. Matt finish. Can be used with gloss mediums to give a satin finish. Can be used as a varnish to protect the surface.
Titan final varnish for oil and acrylic paints. Lightfast. Durable, light colour. Does not craquelure.
Glossy Medium based on high quality natural products. Prolongs drying time. Glossy finish. Can be used with matt mediums to give a satin finish. Can be used as a varnish to protect the surface.
Mixed with acrylic colours, up to a maximum of 5%, it extends the drying time by 5-10 minutes.
Titan thinning medium for acrylic paints. Gives the colours luminosity, brilliance and depth and makes them more fluid.
Liquid silicone for forming cells and cavities in acrylic paint. Perfect for moulding and resin art. Drip cap for easy application without a brush. Just a few drops are enough to achieve amazing effects.
